Alienation II 膜II（2016-2017） : 任建军

透明的距离
——《膜II》自述

2009年拍摄了摄影作品《膜》，2016年冬到2017年春，我将做为道具的塑料膜变大，并插入了装置，放置在我选择的场景里，我与被拍摄体隔膜互望。我对藏地各种现实问题有天然的敏感，这次以青海高原的藏人聚集地为图像采集区域，想通过这半通明的膜表达我对当下藏地的思考和提问。
作品的城市部分是进城藏人城市化进程中的片段；草原部分是牧歌时代历史演进中的生活场景，它们都无标准答案。
Alienation II

In 2009 I shot “Plastic Membrane”. From the winter of 2016 to the spring of 2017, I enlarged the plastic membrane that had been used as a prop in my photographic works, and embedded a device in the scene chosen by me. The photography objects and I were peering at each other with the membrane in the middle. I am naturally sensitive to a variety of realistic issues in the Tibetan areas. This time, taking photos mainly in the Tibetan areas on the Qinghai Plateau, I intend to express my thoughts and questions on this land through the half-transparent plastic membrane.

The photos with the urban areas as a background reflect the urbanization of the Tibetans who migrate to cities; the photos shot in the pastoral areas illustrate the scenes of life in the historic evolution of the pastoral times. They both don’t have standard answers.

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